The exhibition will feature over 60 artworks spanning the artist's career including early graphic works, prints, conceptual works, film, photographic work, original works on paper and canvas and even a performance by the artist on 20th September.
We are delighted to be working with one of the oldest established auction houses in Scotland, Lyon & Turnbull for this special exhibition and events.
BRUCE MCLEAN:
Bruce McLean is one of the major figures of contemporary British Art. Born in 1944 he studied at Glasgow School of Art (1961-63) and at St. Martin's in London (1963-66), where he was taught by Sir Anthony Caro, Phillip King, Bill Tucker, Isaac Witkin and Peter Atkins. McLean lead the development of Conceptual art in Britain in the 1960s, often working outside in the urban and suburban landscape. Some of his works brilliantly sent up the solemnity of the art world and mocked established art forms. In 1972 he was given a one day retrospective at the Tate Gallery at the age of 27 (King for a Day).
McLean’s work is in a permanent state of movement and invention; from the late 1960s his range of media has included painting, printmaking, sculpture, film, photography drawing and live work; in all of which humour, scepticism and wit are central. His work seeks to challenge the concept of ‘sculpture’ and indeed of ‘art’ by creating work that questions establishment thinking, materials and methods of display.
After St. Martin's McLean went on to teach at numerous art schools including The Slade School of Fine Art, where he became Head of Graduate Painting (2002-2010). He has obtained international recognition for his paintings and prints, work with film.
Bruce McLean is one of the major figures of contemporary British Art. Born in 1944 he studied at Glasgow School of Art (1961-63) and at St. Martin's in London (1963-66), where he was taught by Sir Anthony Caro, Phillip King, Bill Tucker, Isaac Witkin and Peter Atkins. The course was very rigorous and encouraged a questioning enquiry into the nature of sculpture past, present and future. McLean responded by making sculpture out of rubbish, water and other impermanent materials, and by using his own body to make action sculptures- and impersonate sculptures by others. Also produced were photographic works in which he often appeared. McLean lead the development of Conceptual art in Britain in the 1960s, often working outside in the urban and suburban landscape. Some of his works brilliantly sent up the solemnity of the art world and mocked established art forms. In 1972 he was given a one day retrospective at the Tate Gallery at the age of 27 (King for a Day).
McLean’s work is in a permanent state of movement and invention; from the late 1960s his range of media has included painting, printmaking, sculpture, film, photography drawing and live work; in all of which humour, scepticism and wit are central. His work seeks to challenge the concept of ‘sculpture’ and indeed of ‘art’ by creating work that questions establishment thinking, materials and methods of display.
After St. Martin's McLean went on to teach at numerous art schools including The Slade School of Fine Art, where he became Head of Graduate Painting (2002-2010). He has obtained international recognition for his paintings and prints, work with film, theatre and books. McLean’s bold and confident approach to printmaking proved influential to his contemporaries and also to a generation of younger artists. The making of prints and posters has been a central aspect of his work and continues to inform his sculptural investigations.
His work is in private and public collections world-wide including the Tate Gallery, Arts Council of Great Britain, Victoria & Albert Museum, the National Museum of Modern Art, Edinburgh and the British Council. He has had numerous one man shows in Europe, North America, and Japan.
'Another Bad Night Out On Sausage Street' by Bruce McLean
